Portrait Catriona Morison

Catriona Morison

Mezzo-Soprano
© Jeremy Knowles
General Management

Scottish mezzo-soprano Catriona Morison, now at home in Berlin, gained international recognition in 2017 when she won both the Main Prize and the Song Prize at the prestigious BBC Cardiff Singer of the World competition. Since then, she has established herself as a versatile artist with a broad repertoire spanning the Baroque era to the late Romantic period – performing on the opera stage as well as in concert and recital settings.

From 2016 to 2018, she was a member of the ensemble at Oper Wuppertal, where she developed key roles in her repertoire. Among her performances there were Charlotte (Werther), Hänsel (Hänsel und Gretel), Cherubino (Le nozze di Figaro), Maddalena (Rigoletto), Princess Clarice (The Love for Three Oranges), Nicklausse (Les Contes d’Hoffmann), the Composer (Ariadne auf Naxos), and Nerone (L’incoronazione di Poppea). Guest engagements have taken her to leading opera houses including the Hamburg State Opera, Cologne Opera, Bergen National Opera, and the National Theatre in Weimar. She has also appeared at renowned festivals such as the Salzburg Festival (Young Singers Project under Franz Welser-Möst), the Salzburg Whitsun Festival, the Edinburgh International Festival, and the Gstaad Festival.

Catriona Morison is also much in demand as a concert soloist. She made her debut at the BBC Proms with Elgar’s Sea Pictures under Elim Chan and has since brought to life major works by Bach, Handel, Mozart, Beethoven, Mahler, and Verdi, as well as songs by Alma Mahler and Chausson’s Poème de l’amour et de la mer, with great expressiveness. Mahler figures prominently in her repertoire, with performances of his Second Symphony on four continents in a single season.

She has collaborated with leading orchestras including the BBC Symphony Orchestra, the Vienna Philharmonic Orchestra, the Bamberg Symphony Orchestra, the Pittsburgh Symphony Orchestra, the NHK Symphony Orchestra, the Royal Scottish National Orchestra, the Orchestre de Paris, the Danish National Symphony Orchestra, the Gewandhaus Orchestra Leipzig, and the Rotterdam Philharmonic Orchestra.

Her international presence spans Melbourne, Sapporo, Tokyo, and Dallas to the Accademia Nazionale di Santa Cecilia in Rome and the Orchestre Philharmonique du Luxembourg. Among her regular and emerging musical partners are Yannick Nézet-Séguin, Semyon Bychkov, Fabio Luisi, Jakub Hrůša, Jaap van Zweden, Ádám Fischer, Elias Grandy, Tarmo Peltokoski, and Jonathan Nott.

Catriona Morison remains deeply committed to art song. She regularly gives recitals at the Wigmore Hall, the Musikverein and Konzerthaus in Vienna, the Utzon Room at the Sydney Opera House, the Elbphilharmonie, the Cologne Philharmonie, and the Concertgebouw in Amsterdam. She is also a frequent guest at festivals such as Heidelberger Frühling, the Edinburgh International Festival, Leeds Lieder, the Oxford Lieder Festival, the Schubertiade in Hohenems, and the Schubertíada Vilabertran. Her latest album ECHOES, recorded with Katharina Konradi and Ammiel Bushakevitz, was released on the AVI label.

The 2025/26 season brings a host of important debuts and returns: In Vienna, she performs Franz Schmidt’s The Book with Seven Seals with the Vienna Symphony Orchestra under Fabio Luisi and again in Hamburg with the NDR Elbphilharmonie Orchestra under Manfred Honeck. She will sing a selection of Mahler’s Des Knaben Wunderhorn songs with the Copenhagen Philharmonic, and makes her debut at the Bavarian State Opera as the Composer in Ariadne auf Naxos under Daniele Rustioni. At the Salzburg Easter Festival and in the Berlin Philharmonie, she will appear as Fricka in Das Rheingold with the Berlin Philharmonic under Kirill Petrenko. Further highlights include Mendelssohn’s Walpurgisnacht with the Gewandhaus Orchestra Leipzig under Andris Nelsons, Das Lied von der Erde in Granada under the baton of Lucas Macías Navarro, and Beethoven’s Ninth Symphony in Monte Carlo with the Orchestre Philharmonique de Monte-Carlo under Kazuki Yamada.




27. September 2025 - 19:30

Wien, Wiener Konzerthaus - Großer Saal

Franz Schmidt: Das Buch mit sieben Siegeln

Info & Tickets



28. September 2025 - 15:30

Wien, Wiener Konzerthaus - Großer Saal

Franz Schmidt: Das Buch mit sieben Siegeln

Info & Tickets



2. October 2025 - 19:30

Kopenhagen Frederiksberg, Konservatoriets Koncertsal

Gustav Mahler: Ausgewählte Lieder

Info & Tickets




  • [...] Catriona was fully up for the task, singing with great tone and brio, with fabulous coloratura and stunning top notes.
  • "[...]Gesungen wird auf allerhöchstem, beglückendem Niveau: Ralitsa Ralinova in der Titelpartie und Catriona Morison als Nerone sind ein szenisches wie sängerisches Traumpaar der Extraklasse. Catriona Morisons Mezzo sprudelt reich und schön aus schier unerschöpflicher Quelle. Die beiden Künstlerinnen loten die emotionalen wie stimmlichen Vorgaben ihrer Partien mit leidenschaftlicher und uneitler Hingabe bis in allerfeinste Nuancen aus. Karamelartig schmelzende Pianissimi hin zu leidenschaftlichen Ausbrüchen durch alle Lagen, mühelose Koloraturen sowie wunderschön miteinander harmonierende Timbres bilden eine echte Glückskonstellation für die Wuppertaler Opernbühne. Nach über drei Stunden im berühmten Schlussduett „Pur ti mio“ verweben sich beide Stimmen nochmals auf fast überirdischem Niveau, mit durch den Äther schwebenden Piani, scheinbar endlos leuchtend, wie losgelöst von ihrem Schicksal, ihrem Leben, ihren düsteren Taten; singend, als wären da nur noch ihre Seelen in der Ewigkeit."
    Das Opernmagazin
    Sibylle Eichhorn in: Das Opernmagazin 4. Mai 2023
  • "[...] Es wird ganz großartig gesungen und gespielt. Catriona Morison singt betörend schön die für hohe Stimme komponierte Partie des Nero."
    Wuppertaler Rundschau
    Stefan Schmöe: "Artikel", in: Wuppertaler Rundschau, 6. Mai 2023
  • "[...]Gesanglich werden so gut wie keine Wünsche offen gelassen. Mit ihrem tragfähigen Mezzosopran taucht sie packend in alle Seelenzustände Neros ein."
    O-Ton Kulturmagazin
    Hartmut Sassenhausen: in O-Ton Magazin 3.Mai 2023
  • "Nahezu fugenlose Anschlüsse der Register, eine warm-erdige Klangfärbung im ausgesungenen Brustton, deklamatorische Züge im unteren Bereich und eine exzellente Textverständlichkeit waren die technischen Trümpfe, die Morison auszuspielen wusste. Dabei lotete sie das Wort-Ton-Verhältnis der Kompositionen tiefgründig aus, drang spürbar in Schichten der Interpretation vor, die nur durch eine ernsthafte Erarbeitung von Text und Musik gleichermaßen darstellbar sind."
    Frankfurter Allgemeine Zeitung
    Christian Rupp: "Catriona Morisons Lieder", in: Frankfurter Allgemeine Zeitung, 30. März 2022
  • “Catriona Morison’s Composer is sensational. Her voice has an effortless richness that conveys youthful impetuosity and artistic hauteur, but always in a gorgeously full mezzo. She’s a real star.”
    The Times
    “Ariadne auf Naxos" Edinburgh International Festival, in: The Times, 27. August 2021
  • "She sounds very, very comfortable, very assured in this repertoire; she just has such a beautiful compelling sound and I love the way this recital is put together."



Elisabeth Ehlers

Elisabeth Ehlers

Director, General Management
e-mail
+49 89 44488790
Felicitas Wittekindt

Felicitas Wittekindt

e-mail
Associate Artist Manager
+49 89 444887911