Portrait Tareq Nazmi

Tareq Nazmi

Bass
© Marco Borggreve
General Management

Renowned bass Tareq Nazmi studied at the University of Music and Performing Arts Munich under Edith Wiens and Christian Gerhaher, and received private instruction from Hartmut Elbert. He began his career at the Opera Studio of the Bavarian State Opera, where he remained a member of the ensemble until 2016.

With his distinctive portrayals, Tareq Nazmi has established himself as a sought-after singer on international opera stages. Milestones in his career include Sarastro at the Salzburg Festival 2022—after achieving an international breakthrough in 2021 as the Speaker in The Magic Flute—and his debut as King Heinrich in Wagner’s Lohengrin at the Vienna State Opera. At the 2024 Salzburg Easter Festival, he appeared as Alvise in La Gioconda under Antonio Pappano. Following his debut at the Grand Théâtre de Genève, he sang Gurnemanz in Wagner’s Parsifal at the Bavarian State Opera and the Tokyo Spring Festival 2025—a role that has become one of his signature parts. In the summer of the same year, he returned to the Salzburg Festival as Banco in Verdi’s Macbeth, directed by Krzysztof Warlikowski. Other notable roles include Ferrando in Verdi’s Il trovatore at the Bavarian State Opera and Sarastro with the Cleveland Orchestra under Franz Welser-Möst.

In the 2025/26 season, Tareq Nazmi will continue to appear in major roles at leading opera houses. He will perform as the Commendatore in Mozart’s Don Giovanni and as Rocco in a new production of Beethoven’s Fidelio at the Vienna State Opera. In Berlin, he will portray Zaccaria in Verdi’s Nabucco at the Staatsoper Unter den Linden. In Tokyo, he makes his debut as Daland in Wagner’s The Flying Dutchman, again conducted by Marek Janowski with the NHK Symphony Orchestra.

In January 2026, he will tour the United States with Verdi’s Messa da Requiem, performing in cities including Cleveland, New York, Miami, and Naples. In Haydn’s The Creation, he sings the bass part of Raphael under Joana Mallwitz with the Konzerthausorchester Berlin, a project to be recorded for Deutsche Grammophon. Franz Schmidt’s The Book with Seven Seals will bring him to Hamburg and Dortmund with the NDR Elbphilharmonie Orchestra under Manfred Honeck. In May 2026, he returns to Vienna to perform the bass solo in Mahler’s Symphony No. 8, this time under Andris Nelsons with the Vienna Philharmonic.

Tareq Nazmi is a highly regarded concert soloist, with a repertoire ranging from Bach, Haydn, Mozart, and Dvořák to Brahms and Mahler. He has worked with ensembles including the Orchestre de Paris (Daniel Harding), Orquestra Gulbenkian (Alain Altinoglu), WDR Symphony Orchestra (Jukka-Pekka Saraste), Pittsburgh Symphony Orchestra, Leipzig Gewandhaus Orchestra (Manfred Honeck), and the Balthasar Neumann Ensemble (Thomas Hengelbrock). Other important projects have included Verdi’s Requiem with the Tonhalle Orchestra Zurich under John Eliot Gardiner, tours with Teodor Currentzis, concerts with the Berlin Philharmonic under Daniel Barenboim, Beethoven’s Missa solemnis under Kirill Petrenko, and appearances with the Munich Philharmonic (Philippe Herreweghe) and the Berlin Radio Symphony Orchestra (Vladimir Jurowski).

He is also a regular presence on international stages as a lieder singer—recently performing with Gerold Huber at the Schubertiade in Hohenems, in Munich, Cologne, and London’s Wigmore Hall. In 2023, the duo performed Schubert’s Winterreise at the Tokyo Spring Festival.




29. October 2025 - 19:00

Wiener Staatsoper

Wolfgang Amadeus Mozart: Don Giovanni KV 527

Info & Tickets



1. November 2025 - 19:00

Wiener Staatsoper

Wolfgang Amadeus Mozart: Don Giovanni KV 527

Info & Tickets



4. November 2025 - 19:00

Wiener Staatsoper

Wolfgang Amadeus Mozart: Don Giovanni KV 527

Info & Tickets



  • [...] Tareq Nazmi, kurzfristig als König Heinrich eingesprungen, [besticht] mit messerscharfer Diktion. Zusammen mit Shenyang als markigem Heerrufer und dem [...] Chor der Nationaloper bietet er die eindrücklichste stimmliche Leistung des Abends.
  • "Tareq Nazmi nutzt die Arie des Banco für vier Minuten voll strömenden Wohllauts."
  • " [...] mit dem „Parsifal“ von Richard Wagner am Grand Théâtre in Genf, hat vermutlich seine große Stunde geschlagen. Er singt den Gurnemanz ohne einen Anflug von Schwerfälligkeit, behände wie ein flotter Osmin, dabei die Worte so achtsam deutend, als ginge es um Lieder von Schubert oder theologiegespickte Arien von Bach. So satt seine Tiefe ist, so leicht spricht seine Höhe an und dünnt dabei keineswegs aus. In Kuwait soll Tareq Nazmi geboren worden sein, liest man, nur hört man es nicht. Seine Diktion ist gestochen scharf und kommt dabei, ganz ohne Konsonantenspuckerei, so natürlich daher, dass einem der Satz „Gemeine Atzung muss uns nähren“ wie Umgangssprache erscheinen will."
    FAZ
    Jan Brachmann, „Besudelt bis zum Schluss“ in: FAZ, 26.01.2023
  • "Die Protagonisten sind großartig, Tareq Nazmi als Gurnemanz gar phänomenal: verständlich, lyrisch und schauspielerisch famos."
    Luzerner Zeitung
    Christian Berzins „Lebt dieser Wagner eigentlich noch?“ in: Luzerner Zeitung , 27.01.2023



Verena Vetter

Verena Vetter

Director, General Management
e-mail
+49 89 44488792
Anne Bilodeau

Anne Bilodeau

e-mail
Associate Artist Manager
+49 89 44488797

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