Portrait Gerhild Romberger

Gerhild Romberger

Contralto
© Rosa FRank
General Management

Mezzo-soprano Gerhild Romberger has long focused her artistic career on concert repertoire. Her exceptional expressiveness, vocal depth, and emotional intensity have been praised time and again. Her broad repertoire spans the major alto and mezzo-soprano roles of oratorio and concert literature from the Baroque to the 20th century.

Central to her artistic work are recitals, contemporary music, and above all, the music of Gustav Mahler. She is a professor of voice at the Hochschule für Musik in Detmold and is a sought-after teacher with many years of experience.

In the 2025/26 season, she will again perform at numerous renowned international venues. The season begins with her appearance as Erda in Richard Wagner’s Siegfried at the Culture and Congress Centre in Lucerne. She will then be heard in Anton Bruckner’s Te Deum under Lahav Shani in Rotterdam and Vienna, and in Frank Martin’s The Song of the Love and Death of Cornet Christoph Rilke in Geneva. Further highlights include Mahler’s Second Symphony in Bonn, Reutlingen, and Villingen-Schwenningen. In February 2026, she embarks on a major North American tour with the Budapest Festival Orchestra under Iván Fischer, singing the alto solo in Mahler’s Third Symphony, which she will also perform in Sapporo under Elias Grandy to close the season.

In recent years, she has performed Mahler’s Third and Eighth Symphonies under Andris Nelsons with the Boston Symphony Orchestra, Orchestre Philharmonique de Radio France, and Orchestre Philharmonique de Monte Carlo. She also sang Beethoven’s Ninth Symphony with the Gewandhausorchester Leipzig under Nelsons and appeared as Erda in concert performances of Wagner’s Siegfried with Concerto Köln under Kent Nagano at leading European concert halls.

She has collaborated with conductors such as Manfred Honeck (including Mahler symphonies, Beethoven’s Missa solemnis, and Walter Braunfels’s Great Mass), Gustavo Dudamel, Herbert Blomstedt, Zubin Mehta, and Riccardo Chailly. She is a frequent guest of orchestras such as the Berlin Philharmonic, Vienna and Bamberg Symphony Orchestras, the Bavarian Radio Symphony Orchestra, the Los Angeles Philharmonic, and the Gewandhausorchester Leipzig. Other key collaborators include Franz Welser-Möst, Daniel Harding, Mikko Franck, Alan Gilbert, Bernard Haitink, Mariss Jansons, and Sir Simon Rattle.

Her artistry is documented in numerous recordings, including the widely acclaimed release of Mahler’s Third Symphony with the Bavarian Radio Symphony Orchestra under Bernard Haitink, which was named “Recording of the Year” by BBC Music Magazine in 2018. Her first solo CD with songs by Gustav Mahler, accompanied by Alfredo Perl, was released in 2016 by MDG.




25. June 2025

Gustav Mahler: Kindertotenlieder

Info & Tickets



27. June 2025

Gustav Mahler: Kindertotenlieder

Info & Tickets



12. September 2025

Luzern, Kultur- und Kongresszentrum Luzern

Richard Wagner: Siegfried

Info & Tickets



  • Wie nun Sängerin Gerhild Romberger die innigen, ins Deutsche übertragenen Gesänge zum Leuchten brachte, war betörend. Als sensible, samtige Gestalterin erwies sie sich vor 1200 Zuhörerinnen und Zuhörern;
  • „O Röschen roth“ singt Gerhild Romberger in den Saal, in dem die Stille von den Wänden widerhallt. […] Ganz natürlich singt sie das, wie Mahler es in seine Partitur schrieb: „Sehr feierlich, aber schlicht“. Dazu „durchaus zart“. Romberger […] trägt mit ihrem warmen, makellosen, vorbildlich artikulierten Wunder-Alt Ruhe und Licht in den Saal.
    Leipziger Volkszeitung
    Peter Korfmacher: „Menschliches Drama jenseits der Worte“, in: Leipziger Volkszeitung, 20.5.2023 - Mahler 2 mit dem Gewandhausorchester unter Andris Nelsons
  • "Stimme aus Gold: Doch zurück zum Mittwochabend in den großen Konzerthaussaal, in dem ein exzellentes Solistenquartett für kurze Zeit die Welt und ihr erschreckendes Getriebe vergessen machte. (...) Gerhild Romberger, deren Alt in ihrem Wohlfühloktavraum an edler, klarer Kraft kaum zu überbieten war."
    DerStandard
    Stefan Ender, "Töne für die Toten im Wiener Konzerthaus", in: DerStandard, 24.02.22
  • "Bei Antonín Dvořáks "Biblischen Liedern" kommt die Altistin Gerhild Romberger ohne dramatische Ausbrüche aus und deutet die Psalmvertonungen gänzlich verinnerlicht aus dem tschechischen Text. Dabei lotet sie ein breites Spektrum von Pianofarben aus und liebkost melodische Wendungen geradezu mit ihrer bestechenden Legatokultur."
    Süddeutsche Zeitung
    SZ, "Freundschaftsdienst - das BRSO meldet sich live zurück. Ganz behutsam", Michael Stallknecht, 16.05.2021



Verena Vetter

Verena Vetter

Director, General Management
e-mail
+49 89 44488792
Anne Bilodeau

Anne Bilodeau

e-mail
Associate Artist Manager
+49 89 44488797

  HIGHLIGHTS 2023/2024